SEVEN DIMENSIONS OF SEXUAL MUSIC: Monodic and dyadic sexual behavior in couples

Quiñones J.L.P.; Jason A.A.J.; Graciela M.A.; Odolinda R.S.M.; Wilson V.C.; Roxana E.A.E.; Edith I.Y.N. · Psiquemag (2023) · DOI: 10.18050/psiquemag.v12i1.2399

Resumen

The intimate sexual behavior of couples (normal or non-pathological) must be described by psychologists, for this they use two perspectives; one is the first a) psychopathology of the DSM 5 and ICD-10 or, the second b) the perspective of positive psychology, which uses the models of Kinsey (1953), Masters and Johnson (1966), Kaplan (1979), Schnarch (1991), Whipple and Brash-Mc.Greer (1997), and Basson (2000). A panel of experts sought to validate a new taxonomy of erotic behaviors. Sexual music refers to the individual and dyadic behavior that a couple does to reach sexual intercourse; the qualities of the monodic behavior of a lover are: a) Intensity, b) Duration, c) Timbre and d) Sexual tone; and the dyadic musical coordination of two lovers are: x) Rhythm, y) Melody and z) Sexual harmony. A panel of seven experts using the Delphi method validated the content of the seven dimensions theory of sexual music providing the conceptual definition and operationalization of the sexual variables used; In addition, the experts provided the clinical casuistry of their particular cases.

Instituciones: Universidad César Vallejo