EXPERIENCE AND NEUROSCIENCE: NOTES ON TWO DRAMATURGICAL STRATEGIES IN THREE TECHNOMEDIATED PLAYS FROM PERU AND COLOMBIA

Carranza P.E. · Metafora (2023) · DOI: 10.36286/mrlad.v3i6.145

Resumen

This work explores through the comparison the dramaturgical strategies that its creators have used to compose three different shows, two from Colombia and one from Peru, which were offered as techno-mediated theater during the quarantine and social isolation measures in both countries. The three works analyzed have a direct connection with historical references of their countries. With episodes of violence and death. How can anecdotes loaded with so much historical information be staged in just 60 minutes? The answer would be in the activation of the neural circuits of memory and the construction of meaning. In the ignition of the processes of emotion, cognition and understanding that I call the Dramatic Imperative and that these works achieve through two strategies: Narrative Transport and Immersion.

Instituciones: Universidad Nacional Mayor de San Marcos