Double-bind information systems in the work of Teresa Burga

Arca E.; Mariátegui J.-C. · Retracing Political Dimensions: Strategies in Contemporary New Media Art (2020) · DOI: 10.1515/9783110670981-013

Resumen

Teresa Burga (Iquitos, 1935) has pioneered conceptual art since the sixties. However, her work has only been studied in depth in the last decade from a perspective that highlights her contribution to issues related to media, information and politics. Burga has resorted to technology based on organizing information into complex mind maps and structures. In her works, Burga anticipated the massive use of information processing and analysis tools for studying personal data. This article aims to analyze Burga's practice by focusing on two of her main projects, i.e. Autorretrato. Estructura. Informe. 9.6.72. (1972) and Perfil de la mujer peruana (1980-1981). These installations were based on collected personal data (recognition systems) and collective data (census), respectively, which were subjects of reflection and ambiguous criticism. The paradox lies in the fact that, subsequently, Burga worked for the Government of Peru in developing information systems that laid down the foundations for creating one of the first computer systems for a government entity in Peru. As Peru's administration increasingly adopted computerized systems, Burga's initiatives anticipated concerns associated with representation and control mechanisms through the organization and management of personal information.

Instituciones: Universidad Peruana Cayetano Heredia